Mathis Neuhaus (*1991), writes about and works in current topics as a journalist, editor, curator, and copywriter. He edits zweikommasieben, a bi-annual publication devoted to the documentation of contemporary musical practices and is responsible for the concert series “Graveyard Shift” and some communicational matter of Schauspielhaus Zurich. In his work as a freelance writer, he focusses on outlets and platforms for cultural analysis, having published, amongst other things, pieces on artists like Nicolás Jaar, Pamela Rosenkranz and Arthur Jafa, and subjects like the taste-making qualities of algorithmic music recommendations.